Jacob Griscom
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2017-07-28

AT&T

Corporate captivity as Stockholm syndrome. Automated phone trees, hold music, and the absurdity of modern customer service.

AI-generated work shared as a creative journal. Not for commercial distribution.

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AT&T

Corporate captivity as Stockholm syndrome. Automated phone trees, hold music, and the absurdity of modern customer service.

33 tracks

0:002:10

Original Recording on Instagram

Lyrics

[PHONE TREE INTRO – dialing tones + corporate recording]
beep… beep… boop…
Thank you for calling AT&T
Para español, oprima el dos
Please listen carefully, as our menu options have changed

AT&T… you make me sick
Callin' up your robotic automated shit
That ain't it
I told you my account number
"Not relevant"
You stallin'
We both know I want a live agent

I mean my internet's down
And this is not 1980
Wi-Fi's like oxygen
Not extra gravy
Don't play me
Yes, I restarted the modem

Another technician
Man, my head's explodin'
Well okay, I guess
When can I expect him?
Three days from now
And he'll need to check my rectum?

Oh, that's funny
'Cause you really like to screw us
I mean I knew this
But you just about to lose us

[FAKE HOLD MUSIC BREAK – beat keeps groovin']

♪ doo-doo-doo… doo-doo-doo… ♪
Your call is very important to us
♪ doo-doo-doo… ♪
Please stay on the line
♪ doo-doo-doo… doo-doo-doo… ♪

Shit dawg
I guess I'll never leave you
Been through so much already
I'm scared that I would grieve too
I'll search for Comcast
See it sucks ass
Then come back beggin' for a pass

A discount?
Off my monthly bill?
I guess that will
Satisfy me
For real
But still
Let's prorate it for the service that I missed, dude
It's really only fair
After everything I've been through

[CORPORATE VOICE – same beat, overly cheerful]

Thank you for calling AT&T
We truly value your business
Your issue is very important to us

Please stay on the line

Interpretation

A satirical takedown of modern customer service hell. The track captures the absurdity of automated phone systems, impossible wait times, and corporate gaslighting through humor and exasperation. The speaker navigates the familiar nightmare: account numbers ignored, technician appointments days away, hold music loops, and the ultimate Stockholm syndrome of staying with a terrible provider because alternatives are worse. The Spanish greeting ("Para español, oprima el dos") grounds the piece in specific corporate reality. The fake hold music break and corporate outro underscore how companies perform care while delivering frustration. Emotional arc: frustration → rage → resignation → sardonic acceptance.